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Animal Loop — Humpback Whale

Project type

Animal Loop — Humpback Whale

Date

July 2026

Location

Vancouver, Canada

Artwork ID: BBAA002 Humpback Whale
Dimensions: 6 m W × 0.2 m D × 3.5 m H
Materials: Aluminum
Year: July 2026

Humpback Whale — A Line Moving Through Space

This work expands the visual language of the Loop Animal Series by translating the monumental body of a humpback whale into a continuous, open structure.

While earlier works in the series were primarily formed from cylindrical steel pipe, Humpback Whale introduces thick steel plate cut into long, narrow bands. This change in material allows the sculpture to move between line and surface. From one angle, the steel appears as a slender contour; from another, it opens into a broader plane. This shifting quality makes it possible to articulate the dramatic angles of the whale’s pectoral fins and tail with greater precision.

Rather than constructing the whale as a solid volume, the sculpture uses a restrained sequence of flowing contours to suggest its back, belly, head, mouth, fins, and tail. The long horizontal line establishes a sense of scale and weight, while its subtle curvature evokes the slow, powerful movement of a whale passing through water.

The elongated pectoral fins—one of the humpback whale’s most distinctive anatomical features—descend in broad loops beneath the body. They give the sculpture both physical stability and a visual sense of suspension. At the opposite end, the tail flukes open outward and intersect like a spatial knot, transforming an anatomical form into a rhythmic gesture.

The work originated as a hand-drawn line, and the immediacy of that drawing remains visible in the finished sculpture. The steel bends, crosses, separates, and reconnects without becoming a closed mass. Although the material is heavy and rigid, the open construction gives the whale an unexpected lightness, as though it were suspended in motion.

The surrounding landscape passes through the sculpture, allowing sky, light, weather, and distance to become part of the composition. From a primary viewpoint, the lines gather into the recognizable image of a humpback whale. As the viewer moves around the work, however, the animal gradually dissolves into overlapping curves, shifting planes, and open intervals.

The sculpture is envisioned at the life-size scale of an actual humpback whale. At this scale, the work becomes not only an image of the animal but also a physical encounter with its extraordinary presence and proportions. Viewers can walk beside and around the sculpture, experiencing the whale’s monumental body within a shared human space.

Installed in a public park, Humpback Whale can also serve as a point of connection between the community and the marine environment surrounding Vancouver. For local residents and young students in particular, the sculpture offers an indirect yet tangible encounter with the humpback whales that inhabit and migrate through the waters of the region. It invites curiosity about their scale, movement, habitat, and continuing relationship with the coastal ecosystem.

Existing between image and abstraction, drawing and sculpture, presence and emptiness, Humpback Whale is more than a representation of an animal. It is a drawing of movement in three-dimensional space—and a public invitation to recognize the quiet force, ecological presence, and enduring passage of one of the ocean’s most remarkable creatures.

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